Okay,
so here's what I'd planned for our one full day in London.
Top
off our Oyster cards for travel on London's amazing underground. Ride
the Central Line from Lancaster Gate to Bond Street, and walk up to
the Wallace Collection. This small (by comparison with
the V&A, BM, or National Portrait Gallery) contains a number of
masterpieces. One that I'd wanted to see was a suit of armor made for
Sir Thomas Sackville by the master craftsman, Jacob Halder, in Henry
VIII's Royal Greenwich workshop. Normally, we dash through any
museum's collection of armor, but we'd seen a TV special on how such
armor was made, and this piece was highlighted as one of only a
couple of such masterpieces.
Sir Thomas probably commissioned it to
be worn if he needed to help defend Elizabethan England against
invasion by the Spanish Armada in 1588, but since there was none, the
armor was not needed. Soon thereafter, such armor became obsolete as
more powerful weapons of war were invented. So, this suit of armor
was in perfect condition.
![]() | |
| Titus |
Other masterpieces we'd admired at the
Wallace before and wanted to see again included Rembrandt’s
magnificent portrait of his only surviving child, Titus, at about age
sixteen.
And, of course, our favorite: Brizo, A Shepherd's Dog, by Rosa
Bonheur (1822 – 1899).
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| Brizo |
Then back to Bond Street to catch take
the Central Line to St. Paul's Cathedral. Although we'd been by it
many times, Bob had never actually been in it, so I thought we'd have
a brief tour. I find the place rather cold and barn-like inside, but
you have to admire the massive pillars and the dome. . . that famous
dome that survived the aerial bombing in World War II as a symbol of
Great Briton's resistance.
From St. Paul's, I wanted to walk to
Dr. Johnson's House on Gough Square. I had visited this 300-year-old
townhouse 63 years ago, and wanted to see it once more, since Johnson
is one of my all-time heroes. It was here that he wrote his essays,
poems, and the great Dictionary of the English Language. Here,
also, he entertained (with
gallons of tea) his biographer, James
Boswell, and countless other 18th
Century artists and intellectuals.
![]() | |
| Johnson's House |
From there, I thought we'd catch a bus
down the Strand to Trafalgar Square. We might just luck out and
arrive in time for a free noon-time concert at St. Martin's in the
Field, but in any case, we'd duck into the National Gallery to visit
old friends such as Thomas
Gainsborough's Mr. and Mrs. Andrews
(1750), which served as one of the models for our own portrait of
our first dog, Alex.
Also, there's Caravaggio's Supper at Emmaus (1601)
And my all-time favorite, Rembrandt’s self portrait, aged 63.
For me, the portrait captures all the hopes and disappointments of
anyone's long life. I have a small reproduction of the portrait in my
study at home.
Then we'd take the Bakerloo Line from
Charing Cross to Oxford Circus, where we'd switch back to the Central
Line to take us back to Lancaster Gate and our hotel for a short nap
before heading back in town to see a musical that we'd bought tickets
for a couple of months ago. (Lancaster Gate to Oxford Circus; switch
to the Bakerloo Line to Piccadilly Circus—the station which is so
deep underground that people were safe from the Blitz. From there the
theatre is just three blocks up the Strand.
Everybody's Talking About Jamie,
is a feel-good, coming of age musical that champions diversity.
Inspired by a true story, it's a winner of three WhatsOnStage Awards
including Best New Musical and is nominated for five Olivier Awards.
Jamie, a 16-year-old from Sheffield, England, doesn't quite fit in,
but he is supported by his brilliant, loving mum and surrounded by
friends. He overcomes prejudice, beats the bullies, and steps into
the spotlight. There's talk that it may open on Broadway.
That was my plan for the day. But . . .
Before we left Tucson, a good friend,
who shall remain nameless, gave me a going-away present of a really
bad head cold, which I generously shared with Bob. The nearly 24-hour
trip from Tucson to London did not help matters, especially since
neither of us was able to sleep much, or even doze on the plane. Last
night, we slept twelve hours, which I think was a record, and after
breakfast at the hotel, which included a buffet-style version of an
English Breakfast complete with baked beans, we bundled up for our
“Day in London.”
It had rained overnight, and there was
a cold wind whistling past our ears, so even though we each wore four
layers of clothes plus hat plus brollie in reserve and pockets packed
with tissues, we did not enjoy the short walk to the underground
station. Just before we arrive there, Bob said,
“Was I supposed to bring the voucher
for us to pick up the theatre tickets?”
“Yes.”
“I forgot it.”
So, back we went to the hotel. On the
way I kept thinking that, like Liza Doolittle, all I wanted was a
room somewhere, nice and warm . . . with a comfy bed. That's what we
found, and out went my plans for the day, and in their place was a
three-and-a-half hour nap!
We did, however, rouse ourselves in
time to catch the show in the evening.








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