Our destination
for the day was the archeological park on the mainland of Syracuse,
so we bought day passes to the open-air, hop-on-hop-off bus to take
us there and back. We had it almost to ourselves all the way over.
The
park has three items of particular interest. The first is
the Latomia
del Paradiso, a deep
limestone cave carved out by 7000 POWs in 413 BCE by the despot Dionysus. About 7000 people in organized tours were headed there
before us, but we elbowed our way through and managed to see the cave
before they filled it up. Caravaggio, when he saw the cave, said it
looked like “the ear of Dionysus,” partly because of its shape,
and partly because
the acoustics were so good that the tyrant
supposedly could hear what the prisoners were saying about him.
Whatever. The point is that you can see the markings where stone was chiseled . . . all the way 75 feet up to the top. I think Bob's photo
from inside the almost
empty cave is spectacular
The
second item of interest is the Greek Amphitheater, which was hewn out
of rock in the 5th
Century BCE. They say it could seat 16,000 spectators, but I'm
beginning to think that “they” say that about all
the amphitheaters we see! This one, however, has the unique
distinction of having had the last tragedies of Aeschylus performed
in it in the
author's presence.
Clearly, the theater is still being used. As the photo shows, workmen
are carefully covering the hewn rock seats with wooden ones. Why?
It's anyone's guess. Notice in the distance that some of the original
seats are yet to be covered over.
| GREEK Amphitheater |
The
third item of interest is the Roman amphitheater. Built around
the time of Augustus, it is supposedly the third largest next to Rome
and Verona. (Believe that, and I have a bridge . . .) Here gladiators
supposedly faced each other with tridents and daggers, and slaves
were whipped into the center to do battle to the death with wild
beasts. (Must have been every bit as spectacular as Cats.)
Note that the seats, which have not
been covered over, have been carved out of rock.
| ROMAN Amphitheater |
I have to say that we squeezed our
self-guided tour of the park between one after another organized tour
led by obnoxious guides holding little flags on sticks and shouting
in German, English, Italian, or whatever, to their blank-looking
flocks of motley tourists, or bored, uniformed school kids. The
weather was cool but sunny, so we managed, but I can only imagine
what it must be like in the summer.
One other stop on this excursion was
the archeological museum. It was one of the most confusing ones I've
ever been in—a maze of ramps and walkways in a circular design, but
the displays were well-lit, modern, and explained both in Italian and
English. One whole section was devoted to coins, which we generally
skip through as quickly as we usually do in galleries of armor or
medieval religious paintings, but the attendant was so concerned that
we not miss anything, that we just had to spend time there so she
would not be disappointed. Other sections, which exhibited artifacts
from
several millennia of various influences on Sicilian art
(prehistoric, Greek, Arabic, Roman, etc.) were of greater interest,
although the sheer size of the collection was overwhelming. Here's a
photo of just one exhibit of large pots.
Finally,
we hopped on our bus for the crowded, half-hour ride back to our
neighborhood on the island on Ortigia. Then we had a bite to eat from
a local vendor before heading back to our room. There we flung open
the doors to the terraces so that the gentle sea breeze could waft
its way through the room to stimulate our blogging muse.
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